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Club Music Debate

Started by Kingee · 21 Aug 2006 · 30 posts survive · look for it on the Wayback Machine

Club Music Debate, split from HQ
KingeePosted: 21 Aug 2006, 5:07pm
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QUOTE(Minky @ Aug 21 2006, 03:35 PM) *

Play the new tunes peeps!!!


BANG ON SISTA !!!!!! AMEN TO THAT COMMENT !!!!!!!!!!!!!!!

Honestly this goes out to all of Adelaide's DJs, really enough is enough, I together with half of Adelaide who do actually know what good music is all about sincerely have had enough of the same shit over and over again.... Some tracks I have heard being played for almost two years now, its ok if they are great tracks but most of them are not which makes it almost unbearable... How do you ever expect the evolution of the scene in Adelaide to happen when its the DJs who are holding it back... Now I can hear the arguement of having to make money for your employers by filling the dance floors with patrons brewing, but I would argue if you are able to fill the floors with the commercial crap is it not possible to fill them with new stuff too... I have had this conversation with some DJs who work in some relatively commercial clubs and suggested that they should try introducing new tracks in amongst the commercial ones they believe are filling the floors... They have and we have observed a rather interesting occurance, the crowd goes nuts for the newer stuff but go and get a drink or start chatting when the crap is played... The resulting factor is that in the equation is that I am starting to hear less of the crap, the crowd is much happier and the numbers at closing time are far greater than they previously were....

So what does that tell you ???????

ADELAIDE IS OVER THE CRAP AND READY TO START DANCING TO A WHOLE NEW TUNE..........
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BettermanPosted: 21 Aug 2006, 5:12pm
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good post tash i agree. although its hard to keep it fresh at a big commercial club like hq
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bill fragosPosted: 22 Aug 2006, 11:02am
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QUOTE(Mr S @ Aug 21 2006, 06:48 PM) *

unfortunately Adelaide clubs have become "hit machine" based as the generation of today want to only hear what they know (eg on Fresh) and are not up for being educated.. turn back the clock 10-15 years and it was totally about hearing the new tunes and being educated.. youth of today.. pfffft 005_mellow.gif


QUOTE(Mr S @ Aug 21 2006, 08:26 PM) *

I am all for pushing new music that people haven't heard but these days most places aren't suited for this due to their clientel.

The amount of people that ask "can you play that song they always play on fresh" is fucking rediculous 028_nugget.gif



**It would be cool if a moderator could start up a separate thread for this, rather than drawing unnecessary attention to HQ.**


To an extent I agree with your posts J, but do believe that many are craving new music/education. It doesn't mean we should cease persisting in pushing things forward.

My perspective is that having played many times interstate in the last 18 months (Melbourne, Sydney, Brisbane, Perth, Canberra) at major clubs the (house/dance) music scene is very different here to everywhere else.

For the most part people crave new music interstate. They are not generally exposed to older music via radio, as radio stations like Fresh dont really exist and Nova interstate might only play those tracks high in the ARIA club chart. Yes the general playlist on Fresh does contribute to people wanting to hear older familiar music in Adelaide's clubs. Or at least specific tracks as played on Fresh's general playlists.

But there are many more parts to this.

Giving DJs shorter sets is a major problem. When you have 3-5 DJs in a night who all play/have similar tracks, in order to stand out each will play the big familiar tunes to get a reaction, each trying to out-do the other and get recognition. Many clubs think that by having more DJs on the bill that means they will bring more friends/punters into the club. It may work for an event but for a club night the reverse is true.

The night will often lack consistency and people will often say one week it was great, the next week it sucked, and it is very much a hit and miss thing, depending on what time in the night one goes and which week one goes. The DJs become less loyal, playing gigs elsewhere to try make more dosh. The DJs also then become replaceable with another cheaper DJ who plays similar tracks.

Longer DJ sets are the way to go, any many international DJs who've I have interviewed on SG are quite vocal about this, some frequently playing 4-12 hour sets. It is all about building a consistent sound at a venue that people become passionate about. I like the fact that when I play at my Saturday Night residency I can play whatever I want over 3-4 hours. I get less requests now, and when I do they are decent choices. Last Saturday night was a great example of this, with a strong turnout.

Another factor is that compared to clubs/bars interstate, there is relatively little investment in clubs/bars here. I think that reflects more on Adelaide's general economy. People should expect to pay to get in to clubs/bars here, especially if the clubs/bars have invested much.

In terms of playing to bigger crowds, Mobin and I played to to a capacity crowd at OneLove Melbourne last year, so I dont agree with above posts by others that one has to play familiar to a larger venue at all. A better comparison (population wise) to HQ for example may be The Family in Brisbane, which does exceptionally well in pushing new music to a packed crowd every Saturday Night. They have internationals every 3-4 weeks and it is probably one of the best venues in Australia. And Brisbane will have 3 larger clubs (1000+) with 12 months.

Mal Chia recently published an article and it was bang on. *Hint Hint Mal* 003_wink.gif

Respect.
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alexb618Posted: 22 Aug 2006, 12:07pm
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QUOTE(bill fragos @ Aug 22 2006, 11:02 AM) *

**It would be cool if a moderator could start up a separate thread for this, rather than drawing unnecessary attention to HQ.**


016_lol.gif

i pretty much agree with everything you said
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Mr SPosted: 22 Aug 2006, 12:27pm
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Right.. here is a thread for all rants in regards to the MUSIC IN ADELAIDE CLUBS and what your thoughts are..
** contains moved posts from another thread to begin with**

This post has been edited by Mr S: Aug 22 2006, 12:28 PM
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BettermanPosted: 22 Aug 2006, 12:33pm
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big superclubs are always going to be spinning commercial stuff on generic nights, thats what pulls the numbers. generally smaller clubs spin the latest up front stuff and a smaller crowd goes there to hear these tunes. i dont see this changing in the near future


It's okay, do you want some more?
I said, 'yeah'
You'll see dragons after 3 or 4
I said, 'Yeah!!'


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SpadgePosted: 22 Aug 2006, 12:40pm
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clubs will play whatever pulls the biggest crowds
rnb and commercial stuff has a bigger following hence more clubs play these styles
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Mr SPosted: 22 Aug 2006, 12:45pm
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QUOTE(bill fragos @ Aug 22 2006, 11:02 AM) *

**It would be cool if a moderator could start up a separate thread for this, rather than drawing unnecessary attention to HQ.**
To an extent I agree with your posts J, but do believe that many are craving new music/education. It doesn't mean we should cease persisting in pushing things forward.

My perspective is that having played many times interstate in the last 18 months (Melbourne, Sydney, Brisbane, Perth, Canberra) at major clubs the (house/dance) music scene is very different here to everywhere else.

For the most part people crave new music interstate. They are not generally exposed to older music via radio, as radio stations like Fresh dont really exist and Nova interstate might only play those tracks high in the ARIA club chart. Yes the general playlist on Fresh does contribute to people wanting to hear older familiar music in Adelaide's clubs. Or at least specific tracks as played on Fresh's general playlists.

But there are many more parts to this.

Giving DJs shorter sets is a major problem. When you have 3-5 DJs in a night who all play/have similar tracks, in order to stand out each will play the big familiar tunes to get a reaction, each trying to out-do the other and get recognition. Many clubs think that by having more DJs on the bill that means they will bring more friends/punters into the club. It may work for an event but for a club night the reverse is true.

The night will often lack consistency and people will often say one week it was great, the next week it sucked, and it is very much a hit and miss thing, depending on what time in the night one goes and which week one goes. The DJs become less loyal, playing gigs elsewhere to try make more dosh. The DJs also then become replaceable with another cheaper DJ who plays similar tracks.

Longer DJ sets are the way to go, any many international DJs who've I have interviewed on SG are quite vocal about this, some frequently playing 4-12 hour sets. It is all about building a consistent sound at a venue that people become passionate about. I like the fact that when I play at my Saturday Night residency I can play whatever I want over 3-4 hours. I get less requests now, and when I do they are decent choices. Last Saturday night was a great example of this, with a strong turnout.

Another factor is that compared to clubs/bars interstate, there is relatively little investment in clubs/bars here. I think that reflects more on Adelaide's general economy. People should expect to pay to get in to clubs/bars here, especially if the clubs/bars have invested much.

In terms of playing to bigger crowds, Mobin and I played to to a capacity crowd at OneLove Melbourne last year, so I dont agree with above posts by others that one has to play familiar to a larger venue at all. A better comparison (population wise) to HQ for example may be The Family in Brisbane, which does exceptionally well in pushing new music to a packed crowd every Saturday Night. They have internationals every 3-4 weeks and it is probably one of the best venues in Australia. And Brisbane will have 3 larger clubs (1000+) with 12 months.

Mal Chia recently published an article and it was bang on. *Hint Hint Mal* 003_wink.gif

Respect.


Bill I agree with what you are saying and I am not referring to Melbourne I am referring to Adelaide.

Kingee.. take your blinkers off
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alexb618Posted: 22 Aug 2006, 12:58pm
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it is unfortunate that the 'music industry' has brainwashed the masses to accept terrible music

people want to go to places like heaven and listen to the latest commercial rubbish, this is just how it is

dance music is not fresh and new like it was in the early/mid 90s, the revolution is over. people don't want to hear new things, they like being in their comfort zone and hearing 'music' they already know. something else will come along soon though.

a good description of this was tony wilson in 24hr party people 'when one musical movement is on the decline, another is on the incline' - the example was punk/new wave being on the decline and rave/elec music being on the incline.

now that rave/elec music is on the decline (which it clearly is) what's next?
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TCBPosted: 22 Aug 2006, 1:05pm
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QUOTE(alexb618 @ Aug 22 2006, 01:58 PM) *

now that rave/elec music is on the decline (which it clearly is) what's next?

may country western will take off in australia 058_teehee.gif 016_lol.gif
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alexb618Posted: 22 Aug 2006, 1:07pm
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QUOTE(TCB @ Aug 22 2006, 01:05 PM) *

may country western will take off in australia 058_teehee.gif 016_lol.gif


unfortunately c&w is bigger here than it should be! can you say 'tamworth'?
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BettermanPosted: 22 Aug 2006, 1:08pm
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QUOTE(alexb618 @ Aug 22 2006, 01:58 PM) *

now that rave/elec music is on the decline (which it clearly is) what's next?

i think it is just going through a phase, you had dance massive in the time you stated, then grunge/rock took over, rnb/hip-hop dominated after that and now that has kinda died off and we find ourselves where we are today
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ChuckstaPosted: 22 Aug 2006, 1:09pm
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HAHA nice one jarrod on the blinker comment, used the same comment on a customer yesterday

back to the music topic, i like hearing all types of music in clubs, new and old, but would prob prefer a combo of the two on a night out
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alexb618Posted: 22 Aug 2006, 1:14pm
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QUOTE(Betterman @ Aug 22 2006, 01:08 PM) *

i think it is just going through a phase, you had dance massive in the time you stated, then grunge/rock took over, rnb/hip-hop dominated after that and now that has kinda died off and we find ourselves where we are today


i am not talking in terms of 'popularity', more in terms of innovation and quality... and there is an element of popularity involved i guess but that is not the driving factor of a 'musical movement' in my opinion

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ReFusePosted: 22 Aug 2006, 1:19pm
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To even start to get an interest in DJing you obviously have a big interest in music and most importantly NEW music (music that has not been killed by radio and every other DJ you’ve seen in the past 6 months).
So to be a DJ playing the same sound over and over again to the same crowd week in week out wouldn’t it be somewhat unsatisfying.

Stop living in the past there are so many new tunes that have what it takes to be big, and if I was a DJ I’d want to be the one who was first playing that big track and then for the others to follow suit.

Probably talking to the wrong group of people in this forum as most would be all up for new sounds.

Saying that there is always room for some of those timely classics, and a good DJ knows when the time is right to drop one of them.
TurbulencePosted: 22 Aug 2006, 1:21pm
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QUOTE(Spadge @ Aug 22 2006, 12:40 PM) *

clubs will play whatever pulls the biggest crowds
rnb and commercial stuff has a bigger following hence more clubs play these styles


Exactly - its not necessarily the DJ's who are to blame - they "have" to play certain track as thats what the typical 18 yr old commercially minded drone wants to listen to because shows like Video Hits say its cool & to buy its ringtone, etc.

There are however some DJ's that make a living off of picking up half stale anthems that respected DJ's have stopped playing on a weekly basis & IMO these anthem vultures are the DJ's holding back the scene..

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Nic BorrelliPosted: 22 Aug 2006, 1:26pm
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big ups to bill, it is soooo true

fresh is a contrbutor to why ppl want to here all these commercial sounds, what they play, ppl will listen to. Maybe showcasing more than the 25 dance tracks they have on rotation every 3 months would help, and maybe hosting more specialist shows or hosting them at times when more ppl would be listening could be another step.

Longer dj sets are also the way to go, 1 hr sets you get forced to play "whats hot" in the scene at that time, usually being what fresh, and what another dj has played.

instead of getting your 4 - 6 dj's per night, get 2-3, give them double the time, get them to work with the crowd a little more, experiment.. its the only way the adelaide club scene is going to move forward. Anyone these days can go on the aria charts, get a few names of tracks and become a "dj"... seems to happen more and more often now, pushing those with the passion, enthusiasm and knowledge out of it
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dbbPosted: 22 Aug 2006, 1:31pm
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QUOTE(Nic Borrelli @ Aug 22 2006, 01:26 PM) *


instead of getting your 4 - 6 dj's per night, get 2-3, give them double the time, get them to work with the crowd a little more, experiment..


That's what HMC and the like do, but it won't achieve the mainstream of practice in the dance party "scene". The simple fact is the punters don't want to be experimented with, they want comfort and anthems and familiarity.

Sure, there are people who will go hunting out sub-genres and djs like HMC for Bundi, but most people don't care. They just want to hear that "cool" Mylo or Chemical Brothers track ...

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alexb618Posted: 22 Aug 2006, 1:34pm
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QUOTE(Nic Borrelli @ Aug 22 2006, 01:26 PM) *


Longer dj sets are also the way to go, 1 hr sets you get forced to play "whats hot" in the scene at that time, usually being what fresh, and what another dj has played.

instead of getting your 4 - 6 dj's per night, get 2-3, give them double the time, get them to work with the crowd a little more, experiment.. its the only way the adelaide club scene is going to move forward. Anyone these days can go on the aria charts, get a few names of tracks and become a "dj"... seems to happen more and more often now, pushing those with the passion, enthusiasm and knowledge out of it


i dont understand having so many djs either, the only reason i can come up with for this is more djs equals more guest list equals more people equals more money over the bar

QUOTE(dbb @ Aug 22 2006, 01:31 PM) *

That's what HMC and the like do, but it won't achieve the mainstream of practice in the dance party "scene". The simple fact is the punters don't want to be experimented with, they want comfort and anthems and familiarity.


and this is why HMC is one of the most respected djs in the country. the music always comes first.
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Mr SPosted: 22 Aug 2006, 1:42pm
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Looks like this thread is gaining some interest 040_thumbsup.gif

Things have turned completely upside down in regards to the whole styles of music enforced in majority (not all) clubs. The best thing about the 90's was you could play anything you wanted and people would take virtually anything you would throw at them.. this is not the case today
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dbbPosted: 22 Aug 2006, 1:48pm
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That's painting the past in gold a bit, methinks.

In the 90s everything was new and relatively underground, so you had people joining the scene who actively went looking for the music. The music was evolving rapidly, so people would move from english hardcore to jungle to drum&bass to breaks as the music became available - or they would stay with the style they liked perhaps ...

But, people were just as apathetic about new music.

I still remember when ATB (or whoever) first started playing that track off Red 2 by Drax at Choice (when it was on Bank st). It would clear the floor whenever he played it.

He perservered, and eventually, 6 months later, when he played the track people would storm the floor to dance to it. The same people who left the floor when they first heard it.

It sticks in my mind because it was a real eye opener to how closed minded a lot of ravers can be.

This post has been edited by dbb: Aug 22 2006, 01:49 PM
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Nic BorrelliPosted: 22 Aug 2006, 1:51pm
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when i go out these days, im going for the music.. true when i just turned 18 it was about getting smashed with lots of ppl... but now id rather listen to good music, guess that isnt for everyone though. I think thats where the "passion" aspect of it comes into play

This post has been edited by Nic Borrelli: Aug 22 2006, 01:51 PM
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dbbPosted: 22 Aug 2006, 1:54pm
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Look at enchanted ... whenever a new one comes along, half the people will be excited about the music, the other half will start making clothes or purchasing glowsticks ...

For some, I'd say the majority, the dance parties are just a place to socialise with friends.

For others, it is about the music.

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TurbulencePosted: 22 Aug 2006, 1:55pm
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QUOTE(dbb @ Aug 22 2006, 01:24 PM) *

Holding back the scene?

Where is the "scene" supposed to be going to in the first place?


Somewhere a little less sa-fm i would say. Been to a few larger clubs around the place & must say I can;t remember ever hearing commercial house in any of them. I don't honestly know mate, I would just like to see the general populous of adelaide expand their listening horizons a little..

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Mr SPosted: 22 Aug 2006, 1:58pm
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QUOTE(dbb @ Aug 22 2006, 01:48 PM) *

That's painting the past in gold a bit, methinks.

It is and it is merely a comparison of generation and change that has occurred as to why things have changed so much
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dbbPosted: 22 Aug 2006, 1:59pm
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I'd like them to expand their listening horizons too ... but I can't see it happening.

I'd like to go to a club night where the Djs played music similar to the mad racket crew in Sydney. But even over there, with 5 million people, they can only do a monthly night or no-one will rock up.

The funny thing is , that in places like Prague and Berlin, this style of music (tech house / electro / minimal style , acts like Anthony Rother, Tiga, Booka Shade, Dj Hell, Ricardo Villalobos, MANDY etc.) is absolutely huge and approaching mainstream ...

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Nic BorrelliPosted: 22 Aug 2006, 9:35pm
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those sounds are being pushed there... also because the producers are from there, look at aussie producers, sooo many are commercial, tv rock, grant smilie... start pushing the sounds of danny bonnici, luke chable, jaytech... see how everyones tastes will slowly start to change and develop
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wojtekPosted: 22 Aug 2006, 9:50pm
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QUOTE(dbb @ Aug 22 2006, 01:54 PM) *

For some, I'd say the majority, the dance parties are just a place to socialise with friends.


Bang on, the general public doesnt really care about the music imho, they are there for the one or two headliners that theyve been told to like, everything else is just background music, but then that's also the case at gigs with bands, the supporting act usually means a good time to go to the bar.

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